Friday, 30 December 2011

Points (2.1c) - multiple points


Requirement
6 photographs

Purpose
To show how implied lines exist between multiple points, creating a shape or movement

Technical learning
  • A group of points implies either a network of lines or a shape
  • Grouping objects/ people in an active way is a key factor in producing a successful still life
Project and images
    Set up a still life composition on a simple (but not plain) background. Identify 6 to 10 identical, or at least similar, objects. Organise these objects into a shape. Fix the camera firmly in position and aim at the composition. Control the group by re-arrangement. Consider each move and its effect. Shoot 6 images. 

    Decided to look as much as possible for points forming shapes that occur without my intervention. This led to the first 5 images below. The 6th image is a still life arranged by me.


    Tree stumps in a wood


    Several triangles (e.g. front 4 stumps, 
    middle plus bottom 2, middle plus 2 in left half).
    Outside 5 stumps make a a pentagon. 
    4 in top half form a square


    London Eye in the mist


    Line of pods create a parbola


    Anchors on a wall, London Embankment


    Outside 4 anchors create a square
    4 sets of triangles around anchor in middle 
    (top and bottom halves, left and right halves)
    Water bowl with flowers


    Flowers create a pentagon


    Door at entrance to Paternoster Square, London


    Rivets in wood form a rectangle


    Stone Backgammon Board


    Counters on board create an arrow
    inside the rows of triangles on either side





    Wednesday, 28 December 2011

    Points (2.1b) - relationship between points

    Requirement
    3 photographs


    Purpose
    To show how 2 points create a relationship between each other as well as introduce energy into the image


    Technical learning

    • As with a single point in a frame, a relationship exists bewteen the point(s) and the frame. However, a relationship is also exists between the 2 points themselves.
    • The eye is drawn to one and then the other
    • This sets up (a) an implied line and direction within the image as well as (b) a vaguely defined space around them
    • One of the points usually attracts more attention than the other, where it is (a) bigger, (b) nearer to the foreground or (c) closer to the centre
    • Sometimes both points attract equal attention, i.e. where they are the same size, symmetrical to the centre, the same distance from the camera
    • Unresolved tension can energise an image, although taken to extremes this can damage the composition.
    Project and images
    Identify a situaton with 2 points. 
    • Produce an image where the points are equal in the frame
    • Produce another image where one dominates by size
    • Produce a third where one dominates by colour
    In the last two photos, identify the point which is stronger and why.


    Building site in West End, London


    2 points of the same size
    Close-up of a hoarding advertsing the construction of an office block, Holborn, London


    The bottom point dominates as it occupies
    more of the frame 
    2 climbers on a rock face


    The lower climber attracts the eye slightly more
    than his partner because of the
    warmer colour of his clothing, red shirt vs
    blue one. If, for example,
    his back pack would have been yellow, he would
    draw the eye even more strongly.

    Tuesday, 13 December 2011

    Points (2.1a) - positioning a point

    Requirement
    6 to 12 photographs


    Purpose
    To show how points create attention and movement


    Technical learning

    Points are a fundamental design element


    What is a point? 
    • A subject becomes a 'point' where it is small in the frame and contrasts with its background (e.g. a boat on a larger expanse of water)
    What role does it play? 
    • It draws attention to the subject - if it fails to do this (say, if the subject is too large relative to its background), the subject is not, or stops being, a point
    How do you position a point in the frame? 
    • 3 options: middle, off-centre or near the edge. 
    • However, your choice of location must add meaning or impact to the image
    • Balance, equilibrium between the elements, is also important 
    Project and images
    1. Note as many situations of images with points
    2. Review own past photographs and note obvious points
    3. Shoot 3 images showing examples of points: middle, off centre and close to the edge of the frame.
    Stable centred point, divides the frame symetrically
    and holds the eye fixed in the middle. Contrast to create
    the point comes from difference colour, sharpness and texture
    Slightly off centre, forces the eye to explore the edges
    of the frame before returning to the point.

    Point in upper right part of frame, encourages the eye to
    move to the framme edges, back to the subject and then to
    repeat this journey. Creates tension.














    • consider the relationship the point has in each frame, in terms of movement and division
    • movement arises from the relationship between the points and the sides of the frame
    • division arises from imaginary lines running through the  point across and down towards the edges of the frame.